The shadow of the Maysles brothers looms giant over the shock winner of the 59^th Karlovy Vary Worldwide Film Festival, a documentary that may’t assist however summon up the spirit of the duo’s 1975 masterpiece Gray Gardens. That movie advised the story of two ladies dwelling in squalor within the New York residence of the identical title, revealing that they aren’t solely mom and daughter however part of the prolonged Kennedy household, aunt and cousin to JFK’s glamorous spouse Jackie. Directed by Slovakia’s Miro Remo, Higher Go Mad In The Wild makes Gray Gardens itself — the property, not the movie — appear to be Mar-a-Lago by comparability, nevertheless it makes an identical case for not judging folks by seems to be alone.

It’s extra doubtless, nonetheless, that Remo was impressed by Dušan Hanák’s Photos of the Outdated World, a equally influential doc made in 1972 and banned within the former Czechoslovakia till 1988. Hanák’s movie upset the authorities for seeming to indicate the impoverishing results of dwelling underneath Communism, an enormous propaganda no-no on the time. These days, although, it may be seen for what it really is: a sympathetic examine of a rural era that was left behind within the late 20^th century, provincial postwar those that took their meager items to metropolis markets seemingly unaware that the ’60s had ever occurred, by no means thoughts the ’50s.

Remo’s movie exists someplace in between these two motion pictures. Its topic is František Klišík and Ondřej Klišík,  a pair of grizzled, closely bearded 60-ish twins who reside in Sumava, part of the Czech Republic referred to as the Bohemian Forest. Bohemian doesn’t start to explain the brothers, one among whom has an image of the Dalai Lama of their kitchen, or the movie, which is narrated by a philosophical bull known as Nandy. Even their house is an unconventional house; after a quick heyday by which the brothers introduced again ladies, it was cut up into two with a makeshift wall. The ladies stopped coming, however the wall stays.

In the meantime, it appears, the 2 males have decided to drop out of society and subsequently time, dwelling like a warring however loving married couple in a distant, crumbling farmhouse. However these should not two feral outsiders: as their conversations present; they discuss life and poetry in unusually refined methods, regardless of their frequent drunkenness and their gleefully filthy hands-on strategy to working the land. Nandy the bull offers the sport away, revealing that the siblings, embarrassed after flunking college, grew to become voracious autodidacts. Not solely that, it seems they have been main gamers within the Velvet Revolution of 1989, producing anti-regime pamphlets for the Motion For Civil Liberty.

Remo’s movie offers out this data sparingly, with the unlucky impact that the movie turns into just a little sporting; in the event you’re anticipating to see extra expository backstory after this huge reveal, all you’re really going to get is a few mutinous outdated males dwelling their genuine lives, it doesn’t matter what. This may be enjoyable at instances; one brother, sauntering bare down a rustic highway (there’s a good bit of crumbly nudity), waves fortunately to a passing prepare then later rails towards moles — moles! — for the crime of being “black, bushy, blind bastards”. The interstitial bickering, although, can turn out to be sporting, and when even Nandy notes that “the warmth of their cabin fever is turning into an excessive amount of to endure”, it begins to really feel labored.

Although they do confide in the cameras, the brothers are by no means, ever placed on the spot, and the movie focuses extra on their charming eccentricity than the nuts and bolts of their lives and the way they’ll afford to reside it. It’s an fascinating commerce. On the plus aspect, you get to males coated in cabbages, and having their beards enthusiastically sucked by a cow. On the draw back — aside from a sure sort of countryside practicality about killing animals that positively gained’t make it this 12 months’s The Truffle Hunters — there’s a sense that one thing altogether extra profound may have been articulated right here. “Separating twins is like breaking a mirror,” muses Nandy, and the claustrophobic closeness of the Klišíks would have benefited from only a little extra interrogation of that fascinating thought.

Title: Higher Go Mad within the Wild
Festival: Karlovy Vary (Crystal Globe Competitors)
Director: Miro Remo
Screenwriters: Miro Remo, Aleš Palán, primarily based on the ebook of the identical title by Aleš Palán
Forged: František Klišík, Ondřej Klišík
Gross sales: Filmotor
Operating time: 1 hr 24 minutes